Interactions
Artistic Interchange Between the Eastern and Western Worlds in the Medieval Period
Edited by Colum Hourihane
Interactions
Artistic Interchange Between the Eastern and Western Worlds in the Medieval Period
Edited by Colum Hourihane
“As all the ‘Occasional Papers’ edited by Hourihane, the present volume is expertly produced and includes illustrations of good quality. All art libraries must have this valuable scholarly resource.”
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The essays in this essential reference volume cover topics ranging from the classically inspired Christian iconography of Jordan’s mosaics, sources and influences of style in Jerusalem and the West, and stylistic interaction between Ethiopia and Egypt to wooden carvings from Coptic Egypt and manuscripts from Antioch as well as icon painting in Lebanon and Cairo. Specific case studies on ivories from the Eastern Mediterranean, the Red Monastery Conservation Project, the Edessan Image of Christ, and the Marriage Charter of Otto II and Theophanu are accompanied by iconographical exposés of the Abgar Legend, the Biblical Sarah, and the Çintamani motif.
The contributors are Susan H. Auth, Elizabeth S. Bolman, Erica Cruikshank Dodd, Anthony Cutler, Jaroslav Folda, Marilyn E. Heldman, Lucy-Anne Hunt, Mat Immerzeel, Adeline Jeudy, Catherine Jolivet-Lévy, Irma Karaulashvili, Hugo Meyer, Mati Meyer, William North, Michele Piccirillo, and Alexander Saminsky.
“As all the ‘Occasional Papers’ edited by Hourihane, the present volume is expertly produced and includes illustrations of good quality. All art libraries must have this valuable scholarly resource.”
Colum Hourihane is Director of the Index of Christian Art at Princeton University.
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