Banner with links HomeP S U dot E D U home

Menu:



subMenu:


or from Buy this book from Powell's Books
Book cover image

The Drama of the Portrait
Theater and Visual Culture in Early Modern Spain

By Laura R. Bass

200 pages | 51 color/16 b&w illustrations | 7.75 x 11.5 | 2008

ISBN 978-0-271-03304-4 | cloth: $75.00 sh

Paperback edition is not available


Shopping Cart


The Drama of the Portrait examines the motif of portraiture in Spanish Golden Age theater, drawing from a wide range of drama and imagery to enrich our understanding of the social functions of portraiture and the importance of the theater as a venue for visual education in the court society of early modern Madrid. Written in an engaging and accessible style, this is a model of interdisciplinary scholarship that deftly interweaves detailed research in Spanish art history and material culture, treatises on painting, and the social history of portraiture with original readings of plays.

illuminates collaborations among artists whose work crossed boundaries in ways far more complex than traditional scholarship has acknowledged. Dramatists like Lope de Vega and Pedro Calderón de la Barca contributed to a culture of connoisseurship that promoted painters such as Diego Velázquez. Both writers and painters shared in the task of constructing Spain's image of itself. At the same time, they were keenly attuned to the social, political, and economic tensions of their age. The great playwrights and artists of the Spanish Baroque dramatized the crisis points in a society that depended on theater and painting for its own representation but remained deeply ambivalent about both art forms.

Laura R. Bass is Associate Professor in the Department of Spanish and Portuguese at Tulane University. She is the co-editor, with Margaret R. Greer, of Approaches to Teaching Spanish Golden Age Drama (2006).


Contents

List of Illustrations

Acknowledgments

Introduction: Dramas of the Portrait

1  Visual Literacy and Urban Comedy

2  Stolen Identities

3  Blood Portraits

4  The Powers and Perils of Doubles

5  Framing the Margins on Center Stage

Concluding Reflections

Notes

Works Cited

Index