Dreams of Subversion in Medieval Jewish Art and Literature
Marc Michael Epstein
“This is an interesting, innovative piece of research. . . . Epstein has written a really fine, provocative book that should be of interest to all medievalists.”
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Marc Michael Epstein examines the ubiquitous hare-hunt and the cryptic iconography of elephants flanking the ark in the synagogue, dragons straddling the line between the divine and the demonic worlds, and unicorns that seem to have leaped directly from the christological world of the illuminated bestiary into a universe of Jewish messianic symbolism. These images, often marginal in situation, tend to be regarded as derivative of Christian art or as mere decoration, yet they are illustrative of the manner in which Jews subversively recast various symbols from their own tradition and from Christian culture. An understanding of medieval Jewish self-definition through the "secret language" of their iconography is essential for analysis of the roots of intercultural conflict and collusion in the West.
“This is an interesting, innovative piece of research. . . . Epstein has written a really fine, provocative book that should be of interest to all medievalists.”
Marc Michael Epstein is Assistant Professor of Religion and Director of Jewish Studies at Vassar College.
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